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Wise and Wonderful: Introducing Bitterblue


I absolutely love Kristin Cashore’s novels . . . perhaps, as I’m her UK editor, that comes as no surprise. But I was asked a few days ago if I could put my finger on what makes her novels stand out so vividly. Many books are beautifully, evocatively and powerfully written. Many have strong, determined characters, and many offer wonderful adventures – and I love a great story. I think Bitterblue is something more.

I even have a word for it: wise.

This book is so many things. It’s powerful. It’s moving. It’s filled with stories – and it’s also a mystery at heart. One which begins within a family, which has spread to encompass an entire nation, and which is so vast a mystery – or a conspiracy – than our heroine Bitterblue scarcely knows where to start. But she does know that she must.

I won’t spoil it for you – although we’re delighted to be making a few chapters available ahead of publication to give you a taste – but Bitterblue is breathtaking. It’s a tale of monsters and monstrous things. It’s a story of love. It’s a quest to right wrongs and face up to the true, even when we don’t quite know what that is. It is absolutely wise and wonderful, one of the best novels that we read this year . . . and story that, beautifully, wisely and gently, utterly broke my heart.

This is Bitterblue.

To countdown until the publication of Bitterblue (May 1st) we’re going to be giving you a sneak peak into the world of The Seven Kingdoms every Monday as well as a chance to win a copy of Bitterblue, Fire (Red), or Graceling (White). To enter simply read the chapter below and then email us at competitions@orionbooks.co.uk with the subject line: BITTERBLUE and the answer to this question: What is Bitterblue’s mother’s name? To kick off our first Red, White and Bitterblue Monday we’re offering three lucky readers a chance to win the entire set (Fire, Graceling, Bitterblue). All entries must be received by Midnight 15th April 2012. For our full Terms & Conditions visit our website. Good luck!

 

PROLOGUE

WHEN HE GRABS   Mama’s wrist and yanks her toward the wall­ hanging like that, it must hurt.  Mama doesn’t cry out. She tries to hide her pain from him, but she looks back at me, and in her face, she shows me everything she feels. If Father knows she’s in pain and is showing  me,  Father will take Mama’s pain  away and  replace it with something  else.

He will say to Mama, “Darling,  nothing’s wrong. It doesn’t hurt, you’re not  frightened,”  and in Mama’s face I’ll see her doubt,  the beginnings of her confusion. He’ll say, “Look at our beautiful child. Look at this beautiful room. How happy we are. Nothing  is wrong. Come with me, darling.” Mama will stare back at him, puzzled, and then she’ll look at me, her beautiful  child in this beautiful  room, and  her eyes will go smooth  and  empty,  and  she’ll smile at how happy we are. I’ll smile too, because my mind  is no stronger  than Mama’s. I’ll say, “Have  fun! Come  back soon!” Then  Father  will produce the keys that open the door behind the hanging and Mama will glide through. Thiel, tall, troubled,  bewildered in the middle of the room, will bolt in after her, and Father will follow.

When  the lock slides home behind  them, I’ll stand  there trying to remember  what I was doing before all of this happened.  Before Thiel, father’s foremost  adviser, came into  Mama’s rooms looking for Father. Before Thiel, holding his hands so tight at his sides that they shook, tried to tell Father something that made Father angry, so that Father stood up from the table, his papers scattering, his pen dropping, and said, “Thiel, you’re a fool who cannot make sensical decisions. Come with us now. I’ll show you what happens when you think for yourself.” And then crossed to the sofa and grabbed Mama’s wrist so fast that Mama gasped and dropped her embroi- dery, but did not cry out.

“Come back soon!” I say cheerily as the hidden door closes behind them.

I remain,  staring into the sad eyes of the blue horse in the hanging. Snow gusts at the windows. I’m trying to remember what I was doing before everyone went away.

What just happened? Why can’t I remember what just happened? Why do I feel so—

Numbers.

Mama says that when I’m confused or can’t remember, I must do arithmetic, because numbers are an anchor. She’s written out problems for me so that I have them at these moments. They’re here next to the papers Father has been writing in his funny, loopy script.

46 into 1058.

I could work it out on paper in two seconds, but Mama always tells me to work it out in my head. “Clear your mind of everything but the numbers,” she says. “Pretend you’re alone with the numbers in an empty room.” She’s taught me shortcuts. For example, 46 is almost 50, and 1058 is only a little more than 1000. 50 goes into

1000 exactly 20 times. I start there and work with what’s left. A

minute later, I’ve figured out that 46 into 1058 is 23.

I do another one. 75 into 2850 is 38. Another. 32 into 1600 is 50. Oh! These are good numbers Mama has chosen. They touch my memory and build a story, for fifty is Father’s age and thirty-two is Mama’s. They’ve been married for fourteen years and I am nine and a half. Mama was a Lienid princess. Father visited the island kingdom of Lienid and chose her when she was only eighteen. He brought her here and she’s never been back. She misses home, her father, her brothers and sisters, her brother Ror the king. She talks sometimes of sending me there, where I will be safe, and I cover her mouth and wrap a hand in her scarves and pull myself against her because I will not leave her.

Am I not safe here?

The numbers and the story are clearing my head, and it feels like

I’m falling. Breathe.

Father is the King of Monsea. No one knows he has the two dif- ferent colored eyes of a Graceling; no one wonders, for his is a terrible Grace hidden beneath his eye patch: When he speaks, his words fog people’s minds so that they’ll believe everything he says. Usually, he lies. This is why, as I sit here now, the numbers are clear but other things in my mind are muddled. Father has just been lying.

Now I understand why I’m in this room alone. Father has taken Mama and Thiel down to his own chambers and is doing some- thing awful to Thiel so that Thiel will learn to be obedient and will not come to Father again with announcements that make Father angry. What the awful thing is, I don’t know. Father never shows me the things he does, and Mama never remembers enough to tell me. She’s forbidden me to try to follow Father down there, ever. She says that when I am thinking of following Father downstairs, I must forget about it and do more numbers. She says that if I disobey, she’ll send me away to Lienid.

I try. I really do. But I can’t make myself alone with the numbers in an empty room, and suddenly I’m screaming.

The next thing I know, I’m throwing Father’s papers into the fire. Running back to the table, gathering them in armfuls, trip- ping across the rug, throwing them on the flames, screaming as I watch Father’s strange, beautiful writing disappear. Screaming it out of existence. I trip over Mama’s embroidery, her sheets with their cheerful little rows of embroidered stars, moons, castles; cheerful, colorful flowers and keys and candles. I hate the embroidery. It’s a lie of happiness that Father convinces her is true. I drag it to the fire.

When Father comes bursting through the hidden door I’m still standing there screaming my head off and the air is putrid, full of the stinky smoke of silk. A bit of carpet is burning. He stamps it out. He grabs my shoulders, then shakes me so hard that I bite my own tongue. “Bitterblue,” he says, actually frightened. “Have you gone mad? You could suffocate in a room like this!”

“I hate you!” I yell, and spit blood into his face. He does the strangest thing: His single eye lights up and he starts to laugh.

“You don’t hate me,” he says. “You love me and I love you.”

“I hate you,” I say, but I’m doubting it now, I’m confused. His arms enfold me in a hug.

“You love me,” he says. “You’re my wonderful, strong darling, and you’ll be queen someday. Wouldn’t you like to be queen?”

I’m hugging Father, who is kneeling on the floor before me in a smoky room, so big, so comforting. Father is warm and nice to hug, though his shirt smells funny, like something sweet and rotten. “Queen of all Monsea?” I say in wonderment.  The words are thick in my mouth. My tongue hurts. I don’t remember why.

“You’ll be queen someday,” Father says. “I’ll teach you all the impor- tant things, for we must prepare you. You’ll have to work hard, my Bitterblue. You don’t have all my advantages. But I’ll mold you, yes?”

“Yes, Father.”

“And you must never, ever disobey me. The next time you destroy my papers, Bitterblue, I’ll cut off one of your mother’s fingers.”

This confuses me. “What? Father! You mustn’t!”

“The time after that,” Father says, “I’ll hand you the knife and

you’ll cut off one of her fingers.”

Falling again. I’m alone in the sky with the words Father just said; I plummet into comprehension. “No,” I say, certain. “You couldn’t make me do that.”

“I think you know that I could,” he says, trapping me close to him with hands clasped above my elbows. “You’re my strong-minded girl and I think you know exactly what I can do. Shall we make a prom- ise, darling? Shall we promise to be honest with each other from now on? I shall make you into the most luminous queen.”

“You can’t make me hurt Mama,” I say.

Father raises a hand and cracks me across the face. I’m blind and gasping and would fall if he weren’t holding me up. “I can make anyone do anything,” he says with perfect calm.

“You can’t make me hurt Mama,” I yell through my face that is stinging and running with tears and snot. “One day I’m going to be big enough to kill you.”

Father is laughing again. “Sweetheart,” he says, forcing me back into his embrace. “Oh, see how perfect you are. You will be my masterpiece.”

When Mama and Thiel come through the hidden door, Father is murmuring to me and I’m resting my cheek on his nice shoulder, safe in his arms, wondering why the room smells like smoke and why my nose hurts so much. “Bitterblue?” Mama says, sounding scared. I raise my face to her. Her eyes go wide and she comes to me and pulls me away from Father. “What did you do?” she hisses at Father. “You struck her. You animal. I’ll kill you.”

“Darling, don’t be silly,” Father says, standing, looming over us. Mama and I are so small, so small wound together, and I’m con- fused because Mama is angry at Father. Father says to Mama, “I didn’t strike her. You did.”

“I know that I did not,” Mama says.

“I tried to stop you,” Father says, “but I couldn’t, and you struck her.”

“You will never convince me of that,” Mama says, her words clear, her voice beautiful inside her chest, where I’m pressing my ear. “Interesting,”  Father says. He studies us for a moment, head tilted, then says to Mama, “She is a lovely age. It’s time she and I became better acquainted. Bitterblue and I will start having private lessons.”

Mama turns her body so that she’s between me and Father. Her arms around me are like iron bars. “You will not,” she says to Father. “Get out. Get out of these rooms.”

“This really could not be more fascinating,” Father says. “What if I were to tell you that Thiel struck her?”

“You struck her,” Mama says, “and now you’ll leave.”

“Brilliant!” Father says. He walks up to Mama. His fist comes out of nowhere, he punches her in the face and Mama plummets to the floor, and I’m falling again, but for real this time, falling down with Mama. “Take some time to clean up, if you like,” Father suggests as he stands over us, nudging us with his toe. “I have some thinking to do. We’ll continue this discussion later.”

Father is gone. Thiel is kneeling, leaning over us, dripping bloody tears onto us from the fresh cuts he seems to have acquired on either cheek. “Ashen,” he says. “Ashen, I’m sorry. Princess Bitterblue, for- give me.”

“You didn’t strike her, Thiel,” my mother says thickly, pushing herself up, pulling me into her lap and rocking me, whispering words of love to me. I cling to her, crying. There is blood every- where. “Help her, Thiel, won’t you?” Mama says.

Thiel’s firm, gentle hands are touching my nose, my cheeks, my jaw; his watery eyes are inspecting my face. “Nothing is broken,” he says. “Let me look at you now, Ashen. Oh, how I beg you to forgive me.”

We are all three huddled on the floor together, joined, crying. The words Mama murmurs to me are everything. When Mama speaks to Thiel again, her voice is so tired. “You’ve done nothing you could help, Thiel, and you did not strike her. All of this is Leck’s doing. Bitterblue,” Mama says to me. “Is your mind clear?”

“Yes, Mama,” I whisper. “Father hit me, and then he hit you. He wants to mold me into the perfect queen.”

“I need you to be strong, Bitterblue,” Mama says. “Stronger than ever, for things are going to get worse.”